‘The Glass Lift’: Edinburgh Review 138

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My short story, ‘The Glass Lift’, has been published in the latest issue of Edinburgh Review: What Light RemainsYou can also read my story on the Edinburgh Review website.

This story, set in 1970s Glasgow, compresses the troubled relationship between Robert and his nine-year-old son. On an outing, the two become trapped together. The boy’s reaction to this enforced closeness forces Robert to examine the impact of recent events on their relationship.

I have wonderful neighbours in this issue of Edinburgh Review. The poets Michael Longley, Rachael Boast and David Wheatley all appear, as do fiction writers Zoë Strachan, Doug Johnstone and Rodge Glass. It’s a fantastic issue.

My Summer in Grez-sur-Loing

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I have recently returned from my wonderful writing residency in Grez-sur-Loing, gifted to me in the lovely package that is a Robert Louis Stevenson Fellowship.

Grez and the ‘hotel’ were idyllic. Hôtel Chevillon , which once hosted writers and artists such as Strindberg, Carl Larsson and Stevenson, has been converted into writers’ and artists’ apartments and studios. Light. Beautiful. Elegant. French.

The jewel of the village, for me, I’ll admit, was the delicious boulangerie – less than a minute’s walk or skip from the front door. Monsieur Daniel, the baker, was delightful and his croissants and pains au chocolat and baguettes made me many a fine breakfast.

Of course, I was there to write. And write I did. Every morning I wrote down in the shade of the garden, by the river until the local teenagers sauntered along the bridge around two o’clock and took occupation of the opposite bank with their radios and chatter, both at a very polite volume. That was my signal for lunch. Early evening I would begin to write again in my apartment. The rhythm of these days just worked for me: I was able to inhabit my characters and their world. I need this, I think, to write a novel. Routine or rhythm is important. I have my ending now and the editing and revising is well under way. All good.

The other thing I loved about my retreat in Grez was the quiet sense of community. It was just there. Even though the days were often solitary, there was a sense of working alongside other writers and artists – all lovely people – who were all taken up in their own craft and imagination. There was writing and painting and sculpting in the air, somehow, and the feeling too that what we were doing, what we are doing, is valued.  I felt like a writer in the proper doing sense.

Thank you Creative Scotland. My time in Grez was a gift. And I’m holding onto it.

Awarded Hemingway Short Story Prize: ‘The First Draft of Anything is Shit’

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Actress Gayla Morgan reads my story at Key West’s Hemingway Days Festival.

My short story ‘The Telephone Man’ has been awarded first place in the Lorian Hemingway Short Story Competition. I am delighted – it’s wonderful news to receive while on my RLS fellowship in a hot, sunny and thunder-stormy France. News like this always nudges me forwards again, but especially this time as I have a real fondness for this short story. First drafted more than three years ago, this story has been a long time honing, revising, shifting, becoming what it wanted to be.  And so this story reminds me of Hemingway’s wonderfully blunt, throat-clearing homily to all writers:  ‘the first draft of anything is shit’. Hang those words next to your desk. Look at them every day. It’s okay for first drafts to be shit. The writing is in the rewriting. And I love the rewriting. I’m also fond of this story’s main character, a young boy beginning to realise his own powerlessness in the face of his parents’ unhappiness. And their unhappiness, of course, is his. The only person he can think to turn to is his favourite comic-book superhero. Maybe he’s a character after my writer’s and reader’s heart: a character who seeks solace in the imagined. But now, this story is no longer just mine to imagine.  Thanks to the Lorian Hemingway competition, I can let this story go knock on others’ doors now. The story will appear in the winter 2013 issue of the American journal, Cutthroat. The Lorian Hemingway Competition is an international prize, founded and judged by Ernest Hemingway’s granddaughter and has been going now for over thirty years. This year, they received almost 1200 entries. The competition is open to emerging writers and gifts the winner a $1500 cash prize and publication in Cutthroat: A Journal for the Arts Go do your work, my little story!

Awarded RLS Fellowship 2013

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I am delighted to have been awarded a Robert Louis Stevenson Fellowship. This award gifts me a summer month living and writing in the Hôtel Chevillon, a writers and artists’ residence in Grez-sur-Loing, France.

Grez has enjoyed a long history as a writers and artists’ colony. Stevenson spent several summers there in the 1870s and while staying in Chevillon, then a hotel, he met his wife, Fanny. The playwright Strindberg also spent time there as have many artists, including Carl Larsson and painters associated with the Glasgow Boys.

I’m looking forward to a retreat that will be restorative and fruitful. My goal is to complete work on my novel in progress. And, of course, to enjoy some proper continental sunshine, the many scented delights of French patisseries and cheesemongers, and a soupçon or so of the finest wines known to humanity.

Thank you, Creative Scotland!

Dream Catcher 26

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My short story ‘Walking Water’ is published in Dream Catcher 26.

Like several of my stories, this story is set by the sea. The sea draws and consoles people, especially during times of transition, decision, loss. The main character, however, can no longer experience the sea’s companionship as he once did.

Delighted to appear in this issue of Dream Catcher , which includes a beautiful translation of Lorca’s poem ‘Romance sonámbulo’ by Martyn Crucefix.

‘Light Moves like Water’: BBC Radio 4

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I now have a date for the broadcast of my short story, ‘Light Moves like Water’, on Radio 4. It will be an evening slot: 7.45pm on Sunday 10th February. I’m looking forward to listening and imagining it will be a strange but exhilarating experience.

In this story, the narrator recalls the sudden end of a relationship while on holiday in Venice: the nature of this ending is one she is still interpreting.

While an undergraduate, I spent a glorious year in Bologna, Italy. Beautiful Venice was only a train trip away. I loved writing Venice in this story – its lights and colours and sounds and waters. For me, this story is about a character really looking at this world around her, falling in love with this world.

Go to BBC Radio 4 Scottish Shorts for a preview.

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Welcome phrase in different languages. Word clouds concept.

Welcome to my website. Here, you can find news on my publications,updates about my current writing projects and links to my work.