I’m thrilled that For Books’ Sake have featured my short story, ‘Light Moves Like Water’, as their current ‘Weekend Read’: a fantastic showcase of stories written by women. Every Friday, they’ll send a jewel of a story to your inbox and also publish online. Previous writers include Ann Patchett, Daisy Johnson, Alison Moore, Sophie Mackintosh, Elizabeth Reeder…
As this was one of my first ever stories to be published and then broadcast on radio, it’s a treat to have it out there again for a little while… And also because it’s set in my favourite place on earth: gorgeous, dreamy Venice.
I’ll be reading at ‘Story Shop’ this month, a daily short-story slot at the Edinburgh International Book Festival. Story Shop is a wonderful showcase for new and emerging writers run by Edinburgh UNESCO City of Literature Trust, and is now in its ninth year. Do pop into the lovely Spiegeltent on my day, Monday 31st August. And do come along any or every day at 4pm, from 15th to 31st, to enjoy this year’s Story Shop writers.
In the meantime, here are audio previews for each of the seventeen writers.
I’m so pleased to have my short story, ‘The Rooftop Busker’, appear as the title piece in this year’s New Writing Scotland anthology. I’ll be reading from my story at the Edinburgh launch in Blackwell’s bookshop 1st September. The event is free and tickets can be reserved from Blackwell’s.
This latest anthology from ASLS, edited by Gerry Cambridge and Diana Hendry, includes new work from writers such as Anne Donovan, Jim Carruth, Lesley Glaister, Vicki Jarrett and my old MLitt classmate Duncan Muir amongst many others. And it’s been lovely luxuriating in all their wonderful writing.
© Jörn Kaspuhl
My short story ‘Walking Water’ is out today in the latest ‘Outsider’ issue of Popshot Magazine.
Popshot is a thing of beauty: fiction and poetry with glorious illustration. The artist Jörn Kaspuhl has illustrated my story: I love how he has caught my character, walking water.
It’s also lovely to appear alongside the talented poet Emma Simon, my fellow Jerwood/Arvon mentee. Her poem, ‘The Fish Man’, is a beautifully observed study of another character out of his natural element.
Finally, you can enjoy a taste of Popshot 13 here.
Reading on the Night
Next Friday, I will be reading at an evening of story-telling and poetry, ‘Until Only the Mountain Remains‘, at the Talbot Rice Gallery. This evening is the culmination of a project inspired by the artist Christopher Orr’s current exhibition, ‘The Beguiled Eye’. I’m looking forward to reading and to hearing how other writers such as Dilys Rose, Jane McKie and Allyson Stack have interpreted Orr’s haunting paintings. My story, ‘Silent One’, is a response to the painting of that name. We see a couple standing by a gorge, looking down at a face that appears to float in the darkness We cannot see their faces. We don’t know their reactions, but their body language is strangely relaxed, unperturbed. And so I wondered why this might be.
My story can be read online.
‘Silent One’, Christopher Orr
I’m delighted that my short story, ‘The Quicken Tree’, is a finalist in the Aesthetica Creative Writing Award and will be published in the Aesthetica Annual 2015. The winners, in both fiction and poetry categories, will be announced in December. I look forward to reading the anthology—some great titles—which can be ordered here. Here’s a lovely preview in The Independent.
The shortlist for the Irish Times short story competition ‘This Means War’ has been announced and I’m over the moon to be one of the eight chosen writers!
To mark the centenary of the Great War, the Irish Times has run a series of eight stories this summer on the theme of war. Stark and beautiful stories by writers such as Donal Ryan and Mary Costello have appeared. The Times opened up the final story to submissions, judged by Donal Ryan, Aifric Campbell and Eilis Ni Dhuibhne. All the shortlisted stories are published in this week’s Irish Times.
My story, ‘Deathwatch Beetle’, explores one Irishman’s experience of World War One: a war that came to be overshadowed in Ireland by the War of Independence.
I’m especially delighted to have this story published as one of the characters from my novel This Starling Flock, appears here as a child. Backstory fledged.
Brendon Deacy will illustrate the winning story, to be published tomorrow. I would have loved Deacy to have interpreted my deathwatch-beetle character – his artwork for the series has been stunning. I look forward to enjoying the winner’s entry, and Deacy’s art, tomorrow.
Brendon Deacy’s artwork for John Connolly’s story ‘Mud’
Very happily, my short story ‘The Telephone Man’ won the international Lorian Hemingway Short Story Competition last summer. Happily again, this story now appears in the American journal, Cutthroat: A Journal of the Arts 16.
My short story, ‘The Glass Lift’, has been published in the latest issue of Edinburgh Review: What Light Remains. You can also read my story on the Edinburgh Review website.
This story, set in 1970s Glasgow, compresses the troubled relationship between Robert and his nine-year-old son. On an outing, the two become trapped together. The boy’s reaction to this enforced closeness forces Robert to examine the impact of recent events on their relationship.
I have wonderful neighbours in this issue of Edinburgh Review. The poets Michael Longley, Rachael Boast and David Wheatley all appear, as do fiction writers Zoë Strachan, Doug Johnstone and Rodge Glass. It’s a fantastic issue.
My short story ‘Walking Water’ is published in Dream Catcher 26.
Like several of my stories, this story is set by the sea. The sea draws and consoles people, especially during times of transition, decision, loss. The main character, however, can no longer experience the sea’s companionship as he once did.
Delighted to appear in this issue of Dream Catcher , which includes a beautiful translation of Lorca’s poem ‘Romance sonámbulo’ by Martyn Crucefix.